As a documentary wedding photographer, I pride myself on my discretion. My ability to remain low-key throughout the day and almost disappear amongst the guests. This is fundamental to my style and my whole ethos regarding wedding photography is built on this premise. I am not there to run your day. I am there to photograph it. I am there to tell the story of your wedding, and to do this I need you and your guests to behave as if I wasn’t even there.
There are, of course, times when there are no guests to blend in with. The candid portrait below is a prime example of this. At this point of the day the only people in the room were the bride and myself. For a while I simply observed. If there’s one sure way to make someone feel uncomfortable in a situation such as this it’s snapping away with a camera to my eye. As she walked over to the window, finding the bouquet of flowers her father had left for her, I spotted the wonderful, diffused light falling onto her face and the symmetry formed by the bride and the lamp. I adjusted my settings with the camera held low, raised the camera to my eye and took one frame. Although it could well have been posed, this was a completely real, unposed, candid portrait. The bride, lost in her own little moment. A quiet moment of reflection before the biggest day of her life.
Very nice. I really like the way the light falls on her face and the table top, and the diffused light through the window…
I beg to differ – you CAN’T pose that! The hands and face would give it away as inauthentic. It’s a subtle distinction but one I believe anyone can see, whether consciously or not. Great illustration of the need for a photographer to be a quiet presence, and nicely described too.
Thanks Martin. You are right, of course. Perhaps ‘posed’ was the wrong word. ‘Directed’ is more appropriate.
A really beautiful moment and well balanced image showing the benefits of being a careful observer. Great little write up too.